However, there are notable drawbacks to the Shot 3 Retro. The resulting prints aren’t nearly as crisp or clear as those taken with a smartphone, for one, nor were they as clear or sharp as what you might get with the Evo or Mini 12 (some even have an excessive pink tint). The Shot 3 Retro doesn’t store images the way the Evo does, either, which means you can’t decide whether you’d like to print them later. It’s also noticeably heavier than the Evo and, frankly, nowhere near as stylish. Nonetheless, if you don’t mind compromising on photo quality and want a relatively affordable hybrid camera with fun app features, the Shot 3 Retro is a good choice.
Никита Абрамов (Редактор отдела «Россия»)
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We haven't had a new film from Gore Verbinski for nine years. But the director who brought us the first three Pirates of the Caribbean movies, the nightmare-inducing horror of The Ring (2002), and the Oscar-winning hijinks of Rango (2011) is back in peak form with Good Luck, Have Fun, Don't Die. It's a darkly satirical, inventive, and hugely entertaining time-loop adventure that also serves as a cautionary tale about our widespread online technology addiction.
There’s often an undercurrent of existential fatigue in games that look back at their legacy. Dark Souls III’s dying kingdom, Metal Gear Solid 4’s decrepit Snake. So when Capcom showed us an ageing Leon Kennedy entering the ruins of the police station that marked the start of his journey from rookie cop to hardened veteran, it felt tinged with ennui as much as nostalgia. That self-reflective swansong for this 30-year series may still happen one day, but Requiem isn’t it. Even at its dourest and most pensive, this is less a song for the dead, more a knees-up in honour of the rocket launchers and typewriters that came before. Leon may be getting on a bit, but this is Capcom as energised, devious and goofy as ever.